How creative people discover what to create next seems like a perplexing mystery for most people. I’m often asked, “Melynda, how do you figure out what to create?” or “How did you come up with the ideas for these paintings?”
Trust me-I understand how difficult the answers to these questions can be. During the winter months I have more flexible time, so I spend many hours in the studio navigating my own rough waters to creativity as I find my path to new work. This process sometimes feels like crossing a desert or braving the wilderness as the blank canvases are laid out before me ready for whatever is next.
Through trial and error, I start to find the answers to what is next when I dig deeper internally and spend time in the quiet. I try to give myself permission to wander into my own stories, and engage the things I’m naturally drawn to and love.
But how do artists actually do those things like “digging deeper” or “engaging the things I’m naturally drawn to?” One really important way I explore my work on a deeper level is art journaling. An “art journal” may not be really the right word for what the books I work in look like. They are more a cross of a sketchbook or notebook filled with images, color, text and sketches. For me my art journals really function as an idea generation book.
So I’ve been spending a significant amount of time lately with my art journal/idea generation books. I’ve been cutting images out of magazines, arranging and gluing images to journal pages, and then adding layers of text or paint. Somehow in this very intuitive process of selecting images I’m drawn to, arranging them with poems or written text, and adding color, I start to see themes emerge. I start to notice which colors continually attract my eye. I start to see images that repeatedly show up. This practice of art journaling helps me look inside at the things that deeply interest me. It is one key that leads me down the path to discovering my new work.
Stephen Quiller says in his book Watermedia Painting “I can walk into a museum, look at a painting, and know immediately if Winslow Homer, Edward Degas, Georgia O’Keeffe, Robert Henri, or Johannas Vermeer created it. Why is that? I believe it is because they spent a lifetime of sketching, taking notes, and studying; in short, living their art. As they matured, their marks became more distinct. There came a point when they mastered the craft of painting and let this mastery serve their power of expression. Yet they kept probing deeper inside taking risks, and finding uniquely what they had to say. They all got to the point where their knowledge of craft, their study of other masterworks and periods, served so they could most fully express their vision. In short, they got to the point where they could let their subconscious and spirit take over.”
After a winter season of painting in my studio, I’m pleased to share with you my new Inner Core painting series. Last year I found myself painting a recurring image of a spiral shape. These spiral shapes were different from other spirals I had painted in the past. The shapes began in the center, but rather than spinning counter-clockwise around a center point, the lines flowed outward and came back to the center again. This movement repeated itself again and again around a central point.
Because it had continually been showing up in my work over and over, I let myself be more curious and continued to explore this shape-especially experimenting with multiple spiraling and overlapping shapes within the paintings. And, I challenged myself to paint these spiral shapes on a much larger scale. The shapes were bold, flowing, overlapping, multi-dimensional and soothing. I began working on four large canvases by pouring lines of acrylic paint from bottles and then adding layers of translucent paint. Slowly over the time I’ve worked within this imagery, the more I’ve become aware that a theme of focusing on the inner core of life was appearing before my eyes on the canvases.
Simultaneously, I’ve also been thinking about the concept that artists are often responding to the shifts, trends and realities of the culture within which they live. Sometimes adapting their work to the cultural norms and sometimes reacting against or speaking into the current cultural flow. As I reflect on our cultural life together, I’m increasingly alarmed by the way our communication with each other and knowledge of our personal selves is being eroded right before our eyes.
Awareness is one of the first skills I teach in creativity classes. And, I’m still somewhat incredulous how important it is that I teach this- how important it is that I teach people to “look”, to really look at the world within and around them. As a culture we have forgotten what it looks like to really pay attention to our particular physical and non-physical world. We are so absorbed in what other people think, what other people are saying, how other people are reacting to current political and societal ills that we have forgotten how to slow down and look at what is happening in our own hearts, in our own personal relationships, and in our own backyards.
We are afraid to look too deep, because there we might find the things we don’t want to face. As a culture we are numbing out with reactive living, technology or other mood altering habits. These invasive habits are our escape mechanisms.
My new Inner Core Series has arisen from my own journey of choosing an alternative path-a different way of showing up in the world. It is a path that involves focusing on my own inner core. My art practice is one of the crucial pieces of how I figure out who I am- who I am going to be in this world and how I am going to show up. Art gives me a healthy place to make all these explorations and process my world. It is a sensory experience-the intensity of the colors, the movement of the brush, the vibrancy of the creativity flowing through me.
It is in my art journals- in the gathering of visual information and sketching that I begin to quiet down the outside world and allow myself to explore my own unique visual ideas. I filter the ideas and sketches in my art journal and eventually some of the ideas end up as paintings. This process requires paying attention to my own heart, emotions, thoughts, decision making, responses and reactions.
This vulnerable journey feels like a giant creativity research project that I’ve been investigating for years. I don’t want to keep the results of this work to myself, so I keep sharing my discoveries and creations with you. Thank you for joining in with my on-going creativity research project. If you’d like to see more of the new series, the paintings are available to view in Paintings. Interested in purchasing a specific piece? Please contact me on our Contact page. Finally, if you’d like to see me at an art show this upcoming spring/summer season, the schedule is below.
My sketchbook is a part of “SKETCHBOOK. An exhibition of artist’s books” at the 33 Contemporary Gallery in the Zhou B Art Center in Chicago. The exhibit opens tomorrow on Sept. 15 and runs through October 14, 2017. My sketchbook with the hand painted turquoise green and gold cover (middle sketchbook pictured below) includes a selection of random sketches, art journal pages and color studies created over the past three years. Keeping a sketchbook is such an integral part of my creative process, but I rarely share them. My sketchbook is the “behind the scenes” place where so many of my paintings and other creative activities are generated.
Thank you to The Daily Palette at the University of Iowa for sharing my “Germination” painting today.