How creative people discover what to create next seems like a perplexing mystery for most people. I’m often asked, “Melynda, how do you figure out what to create?” or “How did you come up with the ideas for these paintings?”
Trust me-I understand how difficult the answers to these questions can be. During the winter months I have more flexible time, so I spend many hours in the studio navigating my own rough waters to creativity as I find my path to new work. This process sometimes feels like crossing a desert or braving the wilderness as the blank canvases are laid out before me ready for whatever is next.
Through trial and error, I start to find the answers to what is next when I dig deeper internally and spend time in the quiet. I try to give myself permission to wander into my own stories, and engage the things I’m naturally drawn to and love.
But how do artists actually do those things like “digging deeper” or “engaging the things I’m naturally drawn to?” One really important way I explore my work on a deeper level is art journaling. An “art journal” may not be really the right word for what the books I work in look like. They are more a cross of a sketchbook or notebook filled with images, color, text and sketches. For me my art journals really function as an idea generation book.
So I’ve been spending a significant amount of time lately with my art journal/idea generation books. I’ve been cutting images out of magazines, arranging and gluing images to journal pages, and then adding layers of text or paint. Somehow in this very intuitive process of selecting images I’m drawn to, arranging them with poems or written text, and adding color, I start to see themes emerge. I start to notice which colors continually attract my eye. I start to see images that repeatedly show up. This practice of art journaling helps me look inside at the things that deeply interest me. It is one key that leads me down the path to discovering my new work.
Stephen Quiller says in his book Watermedia Painting “I can walk into a museum, look at a painting, and know immediately if Winslow Homer, Edward Degas, Georgia O’Keeffe, Robert Henri, or Johannas Vermeer created it. Why is that? I believe it is because they spent a lifetime of sketching, taking notes, and studying; in short, living their art. As they matured, their marks became more distinct. There came a point when they mastered the craft of painting and let this mastery serve their power of expression. Yet they kept probing deeper inside taking risks, and finding uniquely what they had to say. They all got to the point where their knowledge of craft, their study of other masterworks and periods, served so they could most fully express their vision. In short, they got to the point where they could let their subconscious and spirit take over.”